Thursday, September 20, 2012
The Girl in the Glass
September 18, 2012
From the time she was a child Meg has been promised a trip to Florence, Italy. She's held on to that promise and longed for the day she can find the setting for a work of art she remembers from her grandmother's house. When her grandmother passes away Meg is dependent on her somewhat absent father to take her to the city of her dreams. With one excuse after another her plans for Florence seem to be on a permanent hold.
Under mysterious circumstances Meg's father finally books the trip to Italy. She gets a ticket by mail and has hours before she leaves. Upon arriving in Italy her father is nowhere to be found. With no idea where to go or what to do Meg calls her Florence contacts. As an editor Meg has been reading the work of Sofia Borelli who is an aspiring memoir writer. Sofia graciously opens her home to Meg and a truly mesmerizing adventure begins.
Meg explores Florence with Sofia by her side and sees the Florence of old. Sofia claims to be the last surviving member of the Medici family. She also claims that a former Medici princess, Nora, communicates with her through some of the great masterpieces of the Italian Renaissance. Meg isn't sure what to believe but she's seeing Florence through the eyes of Sofia and Nora and it's changing everything.
It is no secret that Meissner is in my top 5 favorite authors. Her last book was sorely lacking so I picked up The Girl in the Glass with mixture of trepidation and hope. I'm delighted to report that this book does not disappoint. Meissner is back. This is an intricately written book that you will find yourself wanting to savor. I found myself wanting to go back to Florence with book in hand and to explore Sofia's way.
Meg is a sweet and simple character. She is not lacking in depth, she is simply who she is. Sofia is delightful in a hundred different ways. There is just a hint of romance as Meg and Sofia's neighbor, a long-time client of Meg's, begin to spend more time together. Beyond that the story draws you in like only Susan Meissner can.
There were a few parts I found myself skimming as the details seemed to overwhelm the page. Intricate details on art pieces are not really my thing. While this sits solidly in the middle as far as favorite Meissner books goes I thoroughly enjoyed it. You'll find yourself transported and aching to hop a plane for Florence. If you can't do that I suggest you brew an espresso, put a scarf on, play some classical music and dive into this work of art.
My thanks to Waterbrook Press for providing me with a free copy of this book in exchange for my honest review.